Last update: April 11, 2023
ARTH 2096 (801) Eurasia: Connecting European and Asian Art and Culture
Even though we are living in a globalizing world, our common knowledge of cultures other than our own is limited. Since every culture has its own uniqueness, it can often cause misunderstandings during interpretation. Located on the eastern side of Eurasia, Japan can be seen as a reflection of Europe itself in many ways. By comparing the cultures and historical incidents of these parts of Eurasia, they echo resounding similarities. This class connects European and Asian cultures into the singular continental culture of Eurasia - through cross cultural comparisons of significant moments in history and places of significance. Upon completion of this course, you will be able to compare the social and historical contexts of Europe and Japan, while being able to create your own critical analysis’s on this area of study. Although, not required, it is recommended to take “Japanese Culture” course before taking this course.
ARTH 2800 (801) Japanese Art Before and After WWII: National Identities in Modernization
This course introduces Japanese art from the early 20th century to present day, focusing on traditional aspects of Japanese cultures. Through this course you will study Japan’s relationship with modernization and its influence on arts and cultures such as; painting, sculpture, manga, movie, animation, performance art, and more. The artists who will be discussed in these courses will be; Hayao Miyazaki, Osamu Tezuka, Leonard Tsuguharu Fujita, Yasujiro Ozu, Yoko Ono, Yukio Mishima, and Yasumasa Morimura. Special attention will be paid to the historical context of Japan’s modernization, World War II, and their influences on Japanese contemporary art. The aim of this course is to help you develop literacy on Japanese modern/contemporary art and culture. Upon completion of this course, you will be able to understand the social and historical context of Japanese art and culture. Enabling you to create your own critical analysis’s on this particular field of study. Previous knowledge of Japan’s history or art is not required for this course.
ARTU 2400 (750) Creative Coding and Generative Art
Creative and artistic coding for beginners. Get to grips with Javascript and Java through the MIT authored artists’ coding languages P5JS and Processing, to create your own generative artworks and understand the fundamentals behind some of the technologies seen at TeamLab as well as interactive design implementations for the web. This course assumes no prior coding knowledge.
ARTU 3000 (801) Advanced Artist Books
This course emphasizes the craft and conceptual development of bookmaking as an art form by refining bookbinding skills and further developing personal artistic themes. Throughout the semester students will learn in depth about advanced bookbinding and DIY independent publishing. Students will bind sample books, and experience producing items related to bookmaking such as box-making. lllustration processes and some printmaking techniques will be covered, as well as further developing students’ knowledge of historical and contemporary bookmaking practices. As an end goal students will create a conceptual artist’s book or portfolio using processes learned throughout the course.
ARTU 3000 (802) Post-Studio Practice
This topical course investigates post-studio practice with an emphasis on time-based, spatial, social and conceptual practices. Traditional notions of the studio became antiquated with the emergence of conceptual art in the 1960s. The role of the studio has been questioned and critiqued by the artists who experimented with other sites for the production and presentation of artworks. Newer forms of practice, including installation and performance, stepped out of the gallery and museum, and incorporate more the world outside, leading to the idea of “post-studio practice.” Today the idea and role of the studio are continually reinvented corresponding to new realities. Offering instruction in the composition of works ranging from time-based and text-based works to performance and installation, this course also looks at ways artists have developed their own practices outside of, or in opposition to, conventional understandings of artistic media. Each student will produce a proposal-based final project, and complete several short assignments. The basic course structure includes a critique of student work, hands-on workshops on the use of various digital tools, programs, and sculpture methods. The course will also provide studio time in and outside of class to further develop students’ vision, concerns, and execution of artworks. Basic knowledge of Adobe Creative Suites on a Macintosh platform and prior studio art experience are recommended.
ASST 2000 (750) Special Topics in Asian Studies I: Japanese Popular Culture: Debates and Controversies
Over the past few decades, Japanese popular culture has attracted unprecedented notice around the world. Manga and anime, of course, but attention is also being paid to Japanese snacks, idols, television dramas, novels, and films—inspiring their fans to learn the Japanese language. In this course we will peer behind the scenes of popular culture while looking at contested creative and political issues that shape it. For example, is the term “otaku” pejorative? How has Japanese music been a battleground for linguistic discussions? Might Pikachu be able to bring regional peace in Asia? Should idols get to date? Does it make sense for the government to invest in kimono exports if the attire is protested abroad as cultural appropriation? Was The Tale of Genji really Japan’s first novel? Do Japanese color words make the country’s roads dangerous? Can comedians joke about the country’s politics on TV? Are “weird Japan” media portrayals an offshoot of the “Cool Japan” phenomenon? Does anime decrease the country’s birthrate? Should game designers adhere to social values of the West? How do words like “ai” or “love” that enter Japan’s lexicon from foreign translation continue to shape domestic culture?
ASST 2000 (801)/SOC 2130 (801) Japan Inside-Out: Institute of Contemporary Asian Studies Academic Seminar
From its archaic tradition in which it integrated Chinese culture into its language and religion and into the late 19th century when it opened its doors to the West, Japan has long struggled to maintain its traditions and indigenous culture as it has assimilated foreign elements, alternate modes of thought and different forms of organizational structure into its institutions. These qualities make Japan a fascinating comparative reference point for understanding Western culture, as it challenges fundamental notions of human nature, and shows ways in which seemingly incongruent cultures can come together in novel ways. This allows for reflection on globalization, identity politics, cultural difference and how a historically insular culture can negotiate its international standing when it is often at odds with international norms. This seminar examines selected topics in contemporary Japanese studies. Conceived as a cross-disciplinary Asian Studies course including sociological and cultural anthropological perspectives, the course combines seminar discussions, lectures from TUJ’s research-active area specialists, guest lecturers from across the world, and guided field trips to key locations in Tokyo and beyond. It builds not only on in-house academic expertise but Tokyo’s premier international English-language public lecture series, the Institute for Contemporary Asian Studies at TUJ. Course topics and readings focus on nationalism, culture, and identity politics; race and ethnicity; popular culture and its global dialectic; manga, anime, and gaming; civil society and political dissent; and Japan’s international relations. The course is bookended by methodological and theoretical classes giving students from any academic field a variety of intellectual tools they can use to interpret what they’re seeing and reading during their stay in Japan. These are drawn in particular from sociology, anthropology, political science, cultural and visual studies, and history. (Note: Field trip activities for this course will be supported by the Institute of Contemporary Asian Studies (free of charge to students enrolled in this class).
ASST 3000 (801)/POLS 3520 (801) Korean Politics
This course is about the government and politics in South Korea. We will first take a look at the historical processes from the liberation and division of the Korean peninsula to the democratization and economic development of the South Korea and nuclear and economic challenges of North Korea. We will then survey the political institutions and groups that shape politics and policy making in South Korea. We will analyze how mechanisms of delegation, representation, and accountability work, and what authorities and constraints decision makers possess and face. We will also analyze the politics and political economy of policy reforms by focusing on several areas of policy making. Lastly, we will look at the current state and prospects of Japan-Korea relations with a special attention to the ways in which history and present-day political institutions shape the incentives and thus, behaviors of the major decision makers in each of the respective countries.
ASST 3030 (801)/POLS 3510 (801) Japan’s International Relations
The Senkakus, “comfort women”, TPP, and the Ospreys, these are just some of the most pressing issues in Japan’s international relations. This course aims to facilitate a deeper understanding of such problems by providing a broad overview of Japan’s most important international relationships. Particular emphasis is placed on the country’s dealings with the United States, China, the two Koreas, and Russia, though attention is also drawn to relations with other regions and international organisations. In so doing, the topics of the regional balance of power, historical memory, and global trade patterns are all brought to the fore. As the focus of international politics continues to shift towards the Asia-Pacific region, this subject of Japan’s place in the world is becoming of ever greater significance.
ASST 4096 (801) Environmental History of Modern East Asia
In this writing intensive course, we will explore the changing relationships between human beings and “nature” in East Asia from the late-sixteenth century to the present day. Even for students with a strong background in early modern and modern East Asian history will find that the historical terrain we will look at will appear different. This is because the methods we are going to use in this course are different that what are used in a typical history course. Using many different disciplinary perspectives, this class will take a look at the historical interactions between the human world (culture) and the nonhuman world (nature). You will find that distinguishing between where culture begins and where nature ends can be quite difficult. Some of the questions that we will be thinking about as we move along are: How has the land and ocean limited or enabled human settlement and development of Japan, China, and Korea? How have human relationships with terrestrial and maritime worlds changed over time? How do the relationships differ from place-to-place? Who – or what – has flourished or suffered as human beings have altered the world around them? How have valuations of “nature” changed over time?
CLA 1010 (801) Community Arts and Cultural Development Practice (Joint Class with Showa Women’s University)
This course will explore the relationships between collective art-making and community engagement. The class will be introduced to the history and ethics of community art and cultural development practices. We will visit local places to research the arts and communities specific to Setagaya. Then, we will propose and conduct community art projects. By collaborating with SWU and sharing resources with locals, we hope to positively influence dynamics between the schools and our neighbors.
CLA 2020 (801 & 802) International Career Strategies
The aim of this course is to help students develop a professional mindset. It is designed to explore the career competencies and strategies that are necessary to confidently and successfully transition from college life to the workplace or graduate school. Emphasis is placed on developing the skills necessary in an international career. Participants will use these skills throughout their working life as professionals, managers, executives, or entrepreneurs. This is not a lecture course. It is an interactive workshop giving business majors, in particular, a chance to develop and realize their career potential through exploring career options, preparing a strategy to launch a fulfilling career and improving written and oral presentation skills. The course should increase the student’s ability to: Present professionally (in writing and in person), realistically assess talent and job potential, think critically and creatively about career options and start an international or domestic career search.
CLA 2030 (801 & 802) Technology in International Business
Explore the role of information technology as a business enabler and take a look at management information systems’ impact on business models and society. Evaluate the organizational fit and suitability of various technologies and interpret the interaction between information technology, customers, processes, data, human resources, and the overall internal and external environment of international businesses. Understand the ethical challenges of information technology and explain the evolving role of management information systems in the organization, and the role and careers of MIS professionals.
CLA 2030 (803) Emerging Leaders
In a digitally connect world, understanding the perspective of leaders and followers is key. Throughout this course you should reflect on how you view leadership—both as a member of the team and as a team leader. The emphasis of this course is on application of leadership concepts in the TUJ community and globally. You will meet leaders from various fields, and you will exercise your own leadership in a student-run project. This course assumes that leadership can be learned. Anyone can be a leader at any point in their life. Leadership is not confined to titles and positions. Leadership is a relationship and a commitment.