Last update: April 30, 2020
AMST 2120 (811) Hip-Hop Culture: African Origins to Urban America
This course examines hip-hop culture and its relation to American & African American Culture in general. We will examine the historical origins of hip-hop culture from the Griot oral tradition in Africa up to the current global impact on youth consumption, imitation, appropriation, and customization (in particular, Japanese youth) of trends that have been spawned by the hip-hop culture in the U.S.A. We will also look at how hip-hop culture is a multi-dimensional phenomena and not simply a "style".
ARTH 2096 (811) Eurasia: Connecting European and Asian Art and Culture
Even though we are living in a globalizing world, our common knowledge of cultures other than our own is limited. Since every culture has its own uniqueness, it can often cause misunderstandings during interpretation. Located on the eastern side of Eurasia, Japan can be seen as a reflection of Europe itself in many ways. By comparing the cultures and historical incidents of these parts of Eurasia, they echo resounding similarities. This class connects European and Asian cultures into the singular continental culture of Eurasia - through cross cultural comparisons of significant moments in history and places of significance. Upon completion of this course, you will be able to compare the social and historical contexts of Europe and Japan, while being able to create your own critical analysis’s on this area of study. Although, not required, it is recommended to take “Japanese Culture” course before taking this course.
ARTH 2800 (811) Japanese Art Before and After WWII: National Identities in Modernization
This course introduces Japanese art from the early 20th century to present day, focusing on traditional aspects of Japanese cultures. Through this course you will study Japan’s relationship with modernization and its influence on arts and cultures such as; painting, sculpture, manga, movie, animation, performance art, and more. The artists who will be discussed in these courses will be; Hayao Miyazaki, Osamu Tezuka, Leonard Tsuguharu Fujita, Yasujiro Ozu, Yoko Ono, Yukio Mishima, and Yasumasa Morimura. Special attention will be paid to the historical context of Japan’s modernization, World War II, and their influences on Japanese contemporary art. The aim of this course is to help you develop literacy on Japanese modern/contemporary art and culture. Upon completion of this course, you will be able to understand the social and historical context of Japanese art and culture. Enabling you to create your own critical analysis’s on this particular field of study. Previous knowledge of Japan’s history or art is not required for this course.
ARTH 2800 (812) Japanese Graphic Design History
Japanese Graphic Design History explores the rise and development of commercial art and advertising art into graphic design in the Japanese context from the Meiji Restoration to the contemporary moment. This course examines the aesthetic, market-based and sociopolitical milestones that have influenced design while simultaneously exploring the pantheon of both renowned and underexplored Japanese graphic designers. Students will read relevant slices of design theory—the history, criticism and literature—from Asia, Europe and the Americas in order to contextualize Japanese Graphic Design History and the localized developments of Modernism, Postmodernism and the current Neoliberal Era. This course approaches the analysis of graphic design from an all-encompassing perspective, examining the design of everyday commercially designed objects such as matchbooks to posters for cinema and theater to the design of Japanese typefaces to the design of corporate identities. Students will gain a nuanced understanding of why and how our designed world looks the way it does through history-rich talks, graphic design studio visits with famous graphic designers, and trips to graphic design exhibitions. This class is the lone course offered globally that explores the robust history of Japanese Graphic Design in total.