Last update: December 15, 2017
Art Hist 2096 (801) / As St 2096 (803) Eurasia: Connecting European and Asian Art and Culture
Even though we are living in a globalizing world, our common knowledge of cultures other than our own is limited. Since every culture has its own uniqueness, it can often cause misunderstandings during interpretation. Located on the eastern side of Eurasia, Japan can be seen as a reflection of Europe itself in many ways. By comparing the cultures and historical incidents of these parts of Eurasia, they echo resounding similarities. This class connects European and Asian cultures into the singular continental culture of Eurasia - through cross cultural comparisons of significant moments in history and places of significance. Upon completion of this course, you will be able to compare the social and historical contexts of Europe and Japan, while being able to create your own critical analysis's on this area of study. Although, not required, it is recommended to take "Japanese Culture" course before taking this course.
Art Hist 2800 (801)/As St 3000 (803) Japanese Art Before and After WWII: From Manga to Performance Art
This course introduces Japanese art from the early 20th century to present day, focusing on traditional aspects of Japanese cultures. Through this course you will study Japan's relationship with modernization and its influence on arts and cultures such as; painting, sculpture, manga, movie, animation, performance art, and more. The artists who will be discussed in these courses will be; Hayao Miyazaki, Osamu Tezuka, Leonard Tsuguharu Fujita, Yasujiro Ozu, Yoko Ono, Yukio Mishima, and Yasumasa Morimura. Special attention will be paid to the historical context of Japan's modernization, World War II, and their influences on Japanese contemporary art. The aim of this course is to help you develop literacy on Japanese modern/contemporary art and culture. Upon completion of this course, you will be able to understand the social and historical context of Japanese art and culture. Enabling you to create your own critical analysis's on this particular field of study. Previous knowledge of Japan's history or art is not required for this course.
Art Hist 2896 (801)/As St 2096 (802) Modern Japanese Visual Culture: Early Edo Period through the Second World War
This is a writing-intensive Art History course examining Western influence on modern Japanese visual expression spanning the early Eighteenth century in the Edo period through the end of the Second World War. This period is marked by two watershed events linked to Western interventions: the collapse of centuries-old samurai feudalism and Japan's defeat in the Second World War. The course begins by introducing Japan's early encounters with the West and the following effort to modernize itself. Western influence touched every aspect of Japanese life including the visual arts. The course will explore the evolution and transformation of Japanese visual arts in which Western knowledge and culture played a crucial role, and often challenged Japan's long-standing traditional values and artistic practices. The course will chronologically highlight ways in which Japanese artists had to question and gauge their own artistic practices and styles to cope with the aesthetic pendulum swinging back and forth between the foreign and domestic in the rapidly changing political, societal and cultural climate.
Art Hist 2898 (801)/As St 2096 (801) Contemporary Japanese Art and Visual Culture, from 1945 to the Present
This course examines the development of Japanese art and visual culture in the postwar period. Instead of providing a linear history of formal developments, this course thematically explores some of the major theoretical issues that surround contemporary Japanese art and visual culture. Critical readings will provide social, historical, and political contexts for understanding a broad range of visual cultural practices including art, fashion, design, graphic novels, and films. Through the course we will consider topics such as the question of modernity and the West in Japanese art; underground art and political dissent in the 1960s; the rise of mass culture and design; roles of gender, cuteness, and fantasy; and representations of otherness and the myth of homogeneity.
As St 3000 (802) Law and Society in Japan
This course will examine how the law functions in Japanese society from empirical and critical perspectives. Starting with an examination of the Tokugawa legal system which has arguably influenced even the modern legal system and people's behavior toward the law, we will discuss major issues regarding legal education and legal profession, the judiciary, crime and criminal justice, civil disputes and civil justice, politics and the Constitutional Law, corporate governance, and some specific contemporary problems such as the legal aftermath of the disaster at the Fukushima-Daiichi Nuclear Power Plant in March 2011, and regulating hate speech.
As St 3900 (801) Institute of Contemporary Asian Studies Honors Seminar
The Institute of Contemporary Asian Studies is TUJ's premier research institute, with research fellows (adjunct, graduate and undergraduate), a public lecture series and special symposium, catering to the international community in Japan. The ICAS lecture series fosters the international mission of Temple University, bringing in scholars, journalists, politicians and diplomats, and noted public intellectuals who address issues such as US/Japan relations, the geo-politics of Asia, Japanese culture, international education and globalization. This course is organized into thematic modules of Japanese culture and history, electoral politics and international relations, stratification, race and ethnicity, gender and sexuality, and Japanese popular culture. TUJ fellows and associates will lecture in-class on thematically-linked topics, and students will also be required to attend the ICAS public lectures throughout the semester. In addition, special fieldtrips and outings are organized, which are tied in to substantive course curriculum content.
As St 4096 (801) Self, Culture, and Illness in Japan
Who are we? How is our understanding of our 'self' related to our physical and/ or psychological well-being? And to what extent do our cultural backgrounds affect our conceptions of well-being? This capstone writing course (for Asian Studies major) will aim at answering these questions through critically exploring the cross-cultural conceptions of self, health, and illness with particular focus on Japanese society. The topics to be covered in this course will include anthropological perspectives on conceptions of the self/ personhood, health/ illness/ disease, body/ mind, mental health & therapy, as well as critical perspectives on medical and healing systems. Students registered for this course will read works on these topics and will be encouraged to reflect on their own everyday practices so that they can engage deeply with the topics in the Japanese context and critically assess previous writings. They will also conduct independent research on a topic of their choice for the final research paper (upon consultation with the instructor) and will make a presentation on the topic. In the writing process, students will deepen their skills in choosing bibliographic tools, in finding and evaluating authoritative sources, and organizing and properly formatting a research paper.