Last update: June 14, 2017
Art Hist 2896 (801)/As St 2096 (801) Modern Japanese Visual Culture: Early Edo period through the Second World War
This is a writing-intensive Art History course examining Western influence on modern Japanese visual expression spanning the early Eighteenth century in the Edo period through the end of the Second World War. This period is marked by two watershed events linked to Western interventions: the collapse of centuries-old samurai feudalism and Japan's defeat in the Second World War. The course begins by introducing Japan's early encounters with the West and the following effort to modernize itself. Western influence touched every aspect of Japanese life including the visual arts. The course will explore the evolution and transformation of Japanese visual arts in which Western knowledge and culture played a crucial role, and often challenged Japan's long-standing traditional values and artistic practices. The course will chronologically highlight ways in which Japanese artists had to question and gauge their own artistic practices and styles to cope with the aesthetic pendulum swinging back and forth between the foreign and domestic in the rapidly changing political, societal and cultural climate.
Art Hist 2898 (801)/As St 2096 (802) Contemporary Japanese Art and Visual Culture, from 1945 to the Present
This course examines the development of Japanese art and visual culture in the postwar period. Instead of providing a linear history of formal developments, this course thematically explores some of the major theoretical issues that surround contemporary Japanese art and visual culture. Critical readings will provide social, historical, and political contexts for understanding a broad range of visual cultural practices including art, fashion, design, graphic novels, and films. Through the course we will consider topics such as the question of modernity and the West in Japanese art; underground art and political dissent in the 1960s; the rise of mass culture and design; roles of gender, cuteness, and fantasy; and representations of otherness and the myth of homogeneity.
As St 3900 (801) Institute of Contemporary Asian Studies Honors Seminar
The Institute of Contemporary Asian Studies is TUJ's premier research institute, with research fellows (adjunct, graduate and undergraduate), a public lecture series and special symposium, catering to the international community in Japan. The ICAS lecture series fosters the international mission of Temple University, bringing in scholars, journalists, politicians and diplomats, and noted public intellectuals who address issues such as US/Japan relations, the geo-politics of Asia, Japanese culture, international education and globalization. This course is organized into thematic modules of Japanese culture and history, electoral politics and international relations, stratification, race and ethnicity, gender and sexuality, and Japanese popular culture. TUJ fellows and associates will lecture in-class on thematically-linked topics, and students will also be required to attend the ICAS public lectures throughout the semester. In addition, special fieldtrips and outings are organized, which are tied in to substantive course curriculum content.
As St 4096 (802) Contemporary Political & Security Relations in N.E. Asia - Japan, China, & the Korean Peninsula
With three of the world's leading economies, N.E. Asia plays a significant role in an increasingly globalised environment. In political terms, however, relations among Japan, China, and the two contending states on the Korean Peninsula are often tense and fraught with difficulties. In security terms as well, regional territorial disputes and the real danger of military conflict on the Korean Peninsula - with sabre-rattling over how to deal with a nuclear-armed North Korea - call for timely study and attention. This course utilises International Relations' and Security Studies' approaches to explore current tensions, relations, and prospects for war or peace in the whole of N.E. Asia.
FMA 3696 (801) Japanese Independent Cinema
This course will explore Japanese independent cinema (films made outside the major-studio system) from the late 1980s to the present. We will screen and discuss key works by filmmakers such as Kurosawa Kiyoshi, Aoyama Shinji, Kore-eda Hirokazu, Iwai Shunji, Kawase Naomi, Ichikawa Jun, Tsukamoto Shinya, Miike Takashi, and Sono Sion. We will consider these films both in their formal and aesthetic aspects and as reflections of contemporary Japanese society. We will discuss funding, distribution, and exhibition opportunities for independent films, the roles played by film schools and film festivals in the world of independent cinema, and the political and cultural meanings of "independence" in the context of Japanese film.
FMA 3696 (802) East Asian Melodrama
In studies of cinema, drama, and literature, melodrama is usually defined as a genre (or mode of expression) that emphasizes the release of powerful emotion. This course will explore how films from Japan, South Korea, and Chinese-speaking countries expand and challenge definitions of melodrama. We will survey the main traditions of melodrama in East Asian cinema since the 1920s and also examine revisionist, subversive, and counter-traditional uses of melodrama, focusing on the representation of family relationships, gender, sexuality, and the social effects of accelerated modernization. We will also consider melodramatic aesthetics and ways of accommodating and deepening emotional response through critical writing.
Hist 4696 (801)/As St 4096 (801) The Japanese Occupation of Southeast Asia
A focus on Japan's occupation of Southeast Asia between 1942 and 1945 and related topics. Designed primarily for history majors, this course emphasizes research and writing skills. Seminar presentations and a research paper are required.
Japanese 1003 (801) Oral Intensive I
A bridge between beginning and intermediate Japanese levels, this course emphasizes vocabulary building and the use of spoken Japanese through situational conversational practice. Tests will be in the forms of listening and reading comprehension and structured interviews. An ability to read and write hiragana and katakana is required, as is a mastery of most basic grammatical rules.
Japanese 2000 (801) Practical Japanese for Study Abroad Students
This course is designed to give Temple Study Abroad Program students the essential conversational and written Japanese necessary to negotiate their time in Japan. Lectures, assignments, field trips, and other activities will be designed with practical, day-to-day life in Japan in mind. This course is not part of the Japanese Language and Literature major, and students pursuing this major or more rigorous study of the language should register for the formal course sequence, beginning with 1001.