Philip Flavin

Portrait photo of Philip Flavin

Philip Flavin

    • Art/Asian Studies - Kyoto

      • Adjunct Assistant Professor

        Programs

        • Undergraduate

Areas of Expertise

Japanese Aesthetics, Japanese Modernity, Japanese Music, Japanese Theatre, Pre-modern early modern Japanese Literature, Humour Studies.  

Teaching Interests

Japanese Aesthetics, Japanese Humour, Japanese music (pre-modern, J-pop), Japanese Theatre, Japanese Literature, Classical Japanese 

Research

Japanese musical modernity, Japanese aesthetics, sōkyoku-jiuta.  

Representative Publications

2022
“Aesthetic Ruptures and Sociabilities: Tateyama Noboru (1876–1926), quotidian noise, and sōkyoku-jiuta” Asian Sound Cultures: Voice, Noise, Sound, Technology (Routledge Contemporary Asia Series) New Tab, 2022, pp. 81-100.  

2017
“Anthems, Marches, and National Myth: Music for the Koto and Pre-War Nationalism in Japan” East Asian Review, vol. 17, Osaka University of Economics and Law, December, 2017, pp. 175-188.  

2016
“Ura and Omote: the Two Faces of Chaondo”, Osaka Keizai Hōkadaigaku Ronshū (forthcoming).  

2015
“Mono-zukushi: Oral Literature and Music”, Kokusai Ikebana Gakkai, vol. 2, pp. 31-46 

2014
“Yakiniku Dragon: A Portrait of the Zainichi Experience – Introduction and Translation”, Asian Theatre Journal, vol. 31-1, pp. 17-102.  

2013
“Singing Yokoo Tadanori: Ichiyanagi Toshi, the City and the Aesthetics of Listening”, Performativity and Event in 1960s Japan: City, Body, Memory Chapter 3, Palgrave Press, pp.  61-80.  

“Tateyama Noboru: Osaka, Modernity and Bourgeois Musical Realism for the Koto,” Music, Modernity and Locality in Prewar Japan: Osaka and Beyond, edited Hugh de Ferranti and Alison Tokita, Ashgate Press, pp. 135-155.  

2012
“Colonial Japan and Modern Music for the Koto”, The World of Music, special issue vol. 1-2012, pp. 105-142.  

2010
“Meiji shinkyoku: The Beginnings of Modern Music for the Koto,” Japan Review, number 22, pp. 103-124.  

2008
"Sōkyoku-jiuta," in Ashgate Companion to Japanese Music, edited by David W. Hughes and Alison Tokita, Ashgate Press, pp. 169-195. 

Education

BA, University of the Pacific: International Relations, Japanese 

MA, University of California at Berkeley, Music 

PhD, University of California at Berkeley, Music 

Master of Music: Seiha Conservatory of Music 

Previous Appointments

Kyoto City of Arts: Visiting Scholar 

University of California at Berkeley: Visiting Scholar.  

Monash University: Visiting Scholar, Adjunct Lecturer 

University of Melbourne: Adjunct Lecturer, Research Assistant 

Osaka University of Economics and Law: Associate Professor 

Kansai Gaikokugo Daigaku: Associate Professor 

Professional Associations

Association of Asian Studies 

International Council for Traditional Music 

Society for Ethnomusicology (SEM) 

Society for Research in Asiatic Music (Tōyō Ongaku Gakkai)